But approaching the altered scale in this way can be confusing and I would not recommend to study this relationship until you really understand how the altered scale is build up and how it can be used in a blues setting. Yes it is true that this altered scale is related to the superlocrian scale, which is the 7 th mode of the minor melodic scale. When using the altered scale we are playing: chord tones coming from the dominant seventh chord mixed with altered tones. This is where the altered scale comes in. These altered tones gives the lick or passage in the solo a really tense, jazzy feel.

In this way we are creating a third group of possible notes to use when soloing:

To create even more tension, we can вЂalterвЂ™ the extension notes. These tension notes have a more dissonant feel to it, but we can even take this one step further. How Altered Tones Can Give Your Solos That Twisted Heartfelt Feel On the other hand, they target tension notes if they want to addвЂ¦ well, tension. extensions/tension notes = notes that appear in the scale but NOT in the chord (dissonant pitches (level 1)).Д®xperienced guitarists target chord tonesВ when they want to play safe, outline the chords they are playing over, or if they generally are looking for a more stable sound. chord tones = notes that appear in the scale AND also in the chord (consonant pitches)Дў. So to recap we are having these pitches:ДЎ. In music theory these notes are often referred to as dissonant pitches (level 1). The bold notes in the scale above are the extension notes, since they are not part of the chord, but they are part of the scale. So for instance, if we are playing over the A7 chord using the A mixolydian mode we are using these notes: Tensions are notes that are not in the chord we are playing over, but are in the scale we are using. In music theory these notes are often referred to as consonant pitches. This is because these notes are in the chord. For instance if we are soloing over the A7 chord, we can use these chord tones: A, C#, E and G. tensions (also called extension notes)Д¬hord tones are the tones that are being used when we play a note that is in the chord we are playing over. Basically, a scale exists out of two types of notes:Дў. To understand how these guitarists use scales like the altered scale it is important that you have a basic understanding of how chord tones and scales relate. Think about those guitarists like Scott Henderson (you might want to look this one up if you donвЂ™t know him yet) who make their audience turn their head with a sudden frenzy of notes that sound totally вЂout thereвЂ™. at specific times in a chord progression. The great thing about blues soloingВ is that we can add specific scales that sound very tense, jazzy, etc. To do so, we will start to look at how guitarists, and musicians in general, approach the topic of advanced blues and jazz guitar soloing. That is why we will approach this topic from a down-to-earth approach.

Unless you have a major in music theory, all this information is overly confusing, leading you to think that playing in the style of Robben Ford is very difficult.Дemistyfying Jazz Guitar Soloing And The Altered Scale There are multiple resources talking about how the altered scale is related to superlocrian, which is also the 7 th mode of the melodic minor scale. Playing In The Style Of Robben Ford - The Ultimate Guide To Using The Altered Scale In Blues Guitar SoloingДo you want to be able to use gut wrenching outside sounds in your blues guitar playing? WouldnвЂ™t it be awesome to be able to fully understand what the altered scale is and how you can use it in your blues guitar improvisations? YouвЂ™ve come to the right place.

Melodic minor scales blues